Sometimes I feel like a lone ranter, perpetually nagging photographers about keeping up their personal work, shooting their next series, and tapping into their inner artist. That’s why, at Image Nation, a conference in Auckland last year, I was thrilled to hear this being reinforced again and again. Not only did the speakers show some extraordinary work, but
January- Ian Robertson This image of a New Zealand native Tui, its plumage beautifully captured with a gentle, yet scientifically detached approach, was part of a larger series Wellington photographer Ian Robertson shot of NZ natives. Ian is not the kind of photographer who takes these things lightly- he cares enormously for the environment and the
As strange as it may seem, in November I edited numerous print folios on beds and sofas in Hong Kong hotel rooms, in time for the CA+ review event. I’m pleased to report that all the folios were well received with some creatives and photographers continuing discussions and at least one photographer finding a new
A recent visit to the supermarket had me reeling in shock. When I got down to the back of the huge building, I was confronted by a queue which lead all the way past the bakery, the deli, the meat and ultimately to the dairy section. People with half-full trolleys, baskets, and some with nothing, waited
September and October saw work from factories to near extinct wildlife cross my desk. From crazy studio fashion shoots in Melbourne to car racing in Salt Lake City, Utah. Beaches from Adelaide to Nelson and beyond. Way way beyond. But I was particularly in love with the two I chose as they were both personal shots,
July and August were busy editing months this year, so to catch up on some belated posts I’ve rolled some highlights together. There were a few stand out shots over this period, as there always are, so here is some Southern Hemisphere eye candy (with a slice of the tropics). Wendy Brandon, Wellington I am thrilled to introduce
Last year I interviewed a series of creative directors and art buyers based at top ad agencies in Asia. I wanted to understand from their perspective how they chose photographers for jobs, how much influence their clients and teams had, and what kind of photography was inspiring them. I first met the lovely Kelly Pon when she
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